January 2021

Abolition Is…

radical imagiNation

a poem by

Kai Naima Williams

 

image description: Kai Naima Williams wearing her long dark hair in cornrow braids that feed into two ponytails, white dangly earrings, a pink necklace, and a jumpsuit with orange, black, pink, white, and yellow vertical stripes. Kai is sitting on a stoop in front of a teal door smiling, looking, and reaching out of frame to her right.

 

 

image description: portrait of Kai Naima Williams from the chest up and looking directly at the camera. Kai is wearing her dark hair in a low ponytail; blue, silver and pink glitter eyeshadow, gold heart-shapped hoop earrings, a pink box necklace attached to a silver chain, and a light blue dress. Background is a bare white wall.

#poetry #cross-cultural solidarity #solidarity #imagination #vision

 
 

Kai Naima Willams is a storyteller, poet and performer based in New York City. Her current work intersects her interest in pop culture/media with her own spiritual-magical practice and her scholarship in black studies. She is the co-founder and Executive Director of Eat At The Table Theatre Company, a non-profit arts organization dedicated to providing actors of color with performance opportunities. She is the 2018 winner of the Tennessee Williams Literary Festival Fiction Award and the 2019 recipient of the Monroe Prize for Excellence in African-American Studies and she has been honored by The National YoungArts Foundation and The New York Times. She is also the author of the chapbook He Tried to Drown the Ocean, I Waved. Her writing has been featured in Mask Magazine, DRØME Magazine, Louisiana Literature, Stirring Lit and CRWN Magazine, and she has performed in showcases for Planned Parenthood, Sakhi for South Asian Women and as part of the Freshman Class at Bowery Poetry.

radical imagiNation

a poem by

Kai Naima Williams

“Conventional wisdom would have one believe that it is insane to resist this, the mightiest of empires, but what history really shows us is that today’s empire is tomorrow’s ashes; that nothing lasts forever.”— Mumia Abu Jamal

In this, our new country, I gather my children
Say,

How lucky you are, to grow up
out of ashes

We have buried all the emperors for you
to play with your cousins on the grass
their bodies give.

The only thing they had to offer
the earth, in the end

For you to run free
thru prairies, hills

forests and fields
that belong to none of us

because in this country, we sidestepped the grave
error of etching our names onto everything

with it’s own language, instead, we let the land
break our tongues over it’s own pronunciation

this time, the land tells us how we can be of use
and we train our ears to receive

and that was just the first decree, in this, our new country,
where it is not a crime to come from somewhere else

and citizenship is granted upon re-enactment
of one’s most beloved proverb,

since every “other” is part of one, another
blended harmony standing out in a national anthem
and you can be a bended knee or raised fist or palm over heart

since, in this country, we mind our business,
don’t tell no body how to move against the swell of song

In the old empire,

They labeled us poison while leading
the life out of water
isolated us like illness in the body
they drew us into, a body they invaded first
and claimed to have
came to consciousness inside.

They constellated the land with confinements,
cut fences and clamped circles round whole demographics,

from the knowingest grandmother
to the freshest son, who never got the chance to be alive

and young enough not to be hated by his country

They shut us into camps, concentrated their eyes on our entire
lives, registered our birthdays, they took fishermen for spies

then handed them back to our families broken
into scales. they swiped our language and left
only the bare skeletons of folktales

They closed us into prisons while plantations stayed open
for white people to throw weddings on

they closed in at the protests and beat us open
as if to batter their obsession, bloodtaste for blackness
out on all the bodies their batons could touch

and I know,

I know

it may be irresponsible to use the word “We”

presumptuous pronoun “Us,” in a poem,

but This is a country. (!)

and we made “Us,” a possibility,

an even plane.

a wilderness of differences

with the same height,

the same healthcare,

the same rights,

the same blood,

the same children

And I am an “Us,”

a mixture of countries and blood

that met as comrades and created the same children

My ancestors come to my candle, whisper,

“We suffered different beneath the same rule
but our resistances rubbed shoulders
and the shared muscle is you—”

They told me that so I could tell you,

my children,

We have burned it all down for you !

There are NO PRISONS, ONLY GARDENS,
NO WARDENS, ONLY WOMEN
with an eye on your progress
as you make it home late at night,
there are NO COPS. JUST YOUR GIRLS
running up to form a chain,
just witches twitching to twist up a perp’s name
with their tongues, there are no reservations,
only free feast programs running from coast to coast,
no cages, only open bars for boarders
to mingle with hosts, we have every reason
to toast the grand old guardsmen of convention,
because they were SO WRONG

we, the natives, survived the end they promised would never come
and we marched on. at some point with our backs turned

the past entombed itself in glass re-named itself history

We thought their war on Us
would always last
but here you are

Blessed progeny of protest
Anointed with ash
Uprising every dawn

For Kai, Abolition is…

“a political vision and strategy with a goal to eliminate systems of imprisonment and policing that are dominant in our societies, and to replace them with alternatives of care and transformative justice. Abolition becomes a clear and necessary undertaking as soon as we acknowledge that violence, inequity and racism are inherent functions of the prison industrial complex, and that the only way to combat these violences is to totally dismantle the system through which they operate. The work of abolition requires community, cross-cultural solidarity, and especially great imagination. In order to envision abolitionist futures, we must allow ourselves to imagine what is possible beyond the perceived immutability of our societal structures, our realities ‘as is’ and the conditioned belief in our dependence on a police state to keep communities safe. Our imaginings become more tangible when they are numerous, collective and reinforced by communal belief in the power to undo ‘what is’ and ‘what has been’.”

— Kai Naima Williams